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Kyeo AI
AI動画モデル
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Seedance 1.0 Pro

Seedance 1.0 Proはテキストや画像から動画を作る初期のSeedance Proファミリー機能に関わるモデルです。現在は生成を停止しており、タスク作成やクレジット消費は発生しません。検証済みの背景情報と利用可能な代替モデルを掲載しています。

現在オンラインでは利用できません

このページでは、モデルの機能、用途、公開情報のみ確認できます。このモデルはホームのワークベンチに表示されず、生成タスクも送信できません。

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例

Cinematic scene

Create a 30-second, 1080p ultra-realistic personal home-video showing an ordinary Sunday morning in the life of a young Korean woman. No reference image. MAIN SUBJECT Young Korean woman in her early 20s, natural and approachable look, realistic skin texture with visible pores, bare-faced or barely-there makeup, warm and slightly playful expression. Shoulder-length wavy black hair left down, side-swept bangs, small mole near her left eye. Wearing an oversized pastel-yellow hoodie, loose gray jogger pants, fuzzy slide sandals, and a small crossbody pouch bag. Maintain the same face, hairstyle, clothing, body proportions, and appearance throughout the entire video. SETTING A small countryside town on a bright, breezy Sunday morning. A traditional outdoor market with striped awnings, crates of vegetables, a fishmonger's stall, an old bus stop with a rusted bench, a narrow road running alongside rice paddies, a local bakery with a hand-painted sign, a grandmother's front yard with drying red peppers on a mat, chickens wandering nearby, and mountains faintly visible in the background. Everything sun-bleached, dusty, and authentically rural. CAMERA / VISUAL AESTHETIC Raw personal footage casually recorded by a friend, strong handheld vlog feel throughout. Constant natural hand shake and micro-jitters, footsteps visibly bouncing the frame, imperfect and often off-center framing, occasional partial crops of her face or shoulder, autofocus visibly hunting between her and the background, exposure flaring when the camera swings toward the sun, mild motion blur on quick turns, soft image detail, subtle digital noise, slightly warm and faded color grading like an old phone camera. The camera operator walks and jogs to keep up with her, breathing audible at times, camera dipping and swaying with each step. No stabilization, no gimbal smoothness, no cinematic camera movements, no dramatic lighting, no slow motion, no polished commercial appearance. The footage should feel like a real, unplanned phone recording — accidentally beautiful rather than deliberately cinematic. --- 00:00–00:05 — MARKET ENTRANCE She weaves through the outdoor market stalls, the camera bouncing behind her as it struggles to keep pace. She stops briefly to pick up a small bag of cherry tomatoes, holding them up toward the camera with a grin. The frame jolts as the operator steps over a crate in the path. **00:05–00:10 — FISH STALL DETOUR** She wanders to the fishmonger's stall, wrinkling her nose playfully at the smell and laughing. The camera whip-pans slightly too fast trying to follow her hand gesture, briefly blurring before catching focus again. She waves the camera away, still laughing: *"Ugh, don't film that, film me!" **00:10–00:15 — BUS STOP WAIT** She jogs to catch the local bus stop bench just as an old bus pulls away without her, the camera shaking hard from the sudden running motion. She throws her hands up in mock frustration, plops down on the rusted bench, and sighs dramatically, laughing at herself. The frame settles slightly off-center as she rests her chin on her palm. **00:15–00:20 — RICE PADDY ROAD** She walks along the narrow road beside the rice paddies, wind blowing loose strands across her face. The camera drifts low near her feet as she kicks a small pebble, then swings back up to her face, slightly overexposed from the open sky. She spins around once with her arms out, the frame swaying and overshooting past her before correcting. **00:20–00:25 — GRANDMOTHER'S YARD** She ducks into a yard where red peppers dry on a mat, crouching to gently shoo away a curious chicken pecking near her sandals. The camera jerks back suddenly as the chicken flaps its wings, both of them startled and laughing. She picks up a dried pepper, sniffs it, makes a face, and tosses it back down. **00:25–00:30 — FINAL MOMENT** She grabs a warm bag of fresh bread from the nearby bakery counter, takes a big bite, and turns straight to the camera mid-chew. The frame shakes as she leans in too close, filling half the screen with her grinning face. She says, muffled and amused: *"Okay, stop filming me eating!" She swats the camera lens with her hand, and the footage cuts abruptly to black, mid-laugh. --- **AUDIO** Natural location sound only: Market chatter, footsteps crunching on gravel, a bus engine pulling away, wind, chickens clucking, rustling plastic bags, distant rooster crow, bread bag crinkling, the operator's breathing and quiet laughter, and audible handheld camera noise. No music. No narration. No artificial sound effects. Only the spoken lines: *"Ugh, don't film that, film me!"* and *"Okay, stop filming me eating!" **FINAL FEEL** The entire video should feel like a chaotic, cheerful, completely unplanned Sunday morning caught on a friend's phone — bright, breezy, playful, and warmly nostalgic. No dramatic events. No exaggerated acting. No model poses. No cinematic hero shots. The realism should come from constant handheld imperfection, sun glare, dust, uneven pacing, real laughter, and moments that feel genuinely caught rather than staged.

Cinematic scene

Mid-scene: A sharply dressed city businessman (mid-30s, neat dark hair, tailored suit slightly dusty) stands flustered in the middle of a dusty Western ranch. A crumpled World Cup team contract flutters from his jacket pocket as an old weathered cowboy squints at him suspiciously, mistaking him for a scout. The businessman waves the contract, insisting he's there to convert the ranch into a top-tier World Cup training base. The cowboy just spits tobacco and shakes his head. Golden morning light, wide cinematic establishing shots, ultra-realistic, humorous tone with confused energy. 5–15 seconds The businessman attempts farm chores to "prove" the ranch can handle athletes. He awkwardly carries a bale of hay, slips dramatically into a muddy puddle, startles a massive flock of chickens into chaos, and accidentally opens a gate—sending sheep scattering everywhere. Local ranchers watch from the porch, sipping coffee with amused grins. He keeps pointing at the contract while chasing animals. Playful physical comedy, sweeping Western landscapes, consistent bright morning light. 15–24 seconds Determined, he swaps his muddy business jacket for a borrowed denim shirt and cowboy boots (same face, hair, and overall look). He tries riding a horse to demonstrate "training potential," bouncing awkwardly in the saddle. A young ranch hand (teen boy) effortlessly mounts and rides circles around him, revealing natural athletic talent. The ranchers laugh good-naturedly. Warm golden-hour lighting, dynamic cinematic camera movements tracking the action. 24–35 seconds As sunset deepens, the businessman successfully feeds the animals, now smiling despite his disheveled state. The old cowboy nods slightly in reluctant approval but firmly folds his arms when the contract is waved again. The grandson watches the businessman with quiet curiosity. End on a lingering close-up: the businessman tips his borrowed cowboy hat with newfound confidence, but the cowboy gives him a challenging stare that leaves the big question hanging—"Will this city guy actually turn this ranch into World Cup material... or will the ranch change him first?" Style notes for consistency: ● Same lead actor face, hairstyle, and evolving but recognizable costume (tailored suit → muddy suit + denim elements) across all shots. ● Cohesive ranch setting, spatial logic, and natural lighting progression from bright morning to warm sunset. ● Ultra-realistic, cinematic, humorous fish-out-of-water comedy with lighthearted physical gags and feel-good undertones. 9:16

Cinematic scene

CAMERA: Authentic handheld DV 16mm tape camcorder aesthetic from CHASE's own perspective, with her always filming herself in selfie or first-person view. Keep natural hand shake, imperfect framing, occasional cropped face, slow focus hunting, awkward zooms, and moments where the subject briefly slips out of frame. Every clip is recorded by CHASE herself while holding or briefly propping up the camcorder; the camera is never visible. LOOK: Classic DV 16mm tape appearance with soft, slightly blurred digital footage, faint tape grain/noise, subtle highlight blooming under dim lighting, gentle auto-exposure flicker, muted contrast, and realistic skin tones. STYLE: A relaxed late-night vlog after dance practice, calm and slightly exhausted but genuinely content. The pacing is slower than a daytime vlog, with natural pauses, occasional heavier breathing, and an authentic sense of fatigue mixed with quiet satisfaction. CHARACTER: CHASE, a Korean idol in her twenties, with long straight black hair tied back or slightly messy from rehearsal, elegant and youthful Korean features, luminous skin with a light layer of perspiration, expressive eyes, and a slim physique. She wears a modest long-sleeve athletic shirt, loose joggers or sweatpants, sneakers, and no jewelry. SETTING: A nearly empty dance rehearsal studio at night featuring wooden flooring, mirrored walls, a speaker in the corner, a towel and water bottle resting near the wall, dim ceiling lights, and dark hallways visible through the studio windows. STORYBOARD: (~2s) Camera propped against the mirror as CHASE walks into frame breathing lightly, wipes sweat from her forehead, smiles tiredly, and says, "Okay... just finished practice, it's so late." (~2s) Handheld pan slowly glides across the quiet empty studio before returning to her as she softly remarks off-camera, "Whole place is empty now, just me." (~2s) Standing beside the wall, she picks up her water bottle, drinks deeply, exhales with relief, and says, "Needed that so bad." (~1.5s) Tight macro shot of her hand brushing condensation from the bottle while a bead of sweat catches the light, accompanied only by gentle breathing. (~2s) Camera rests against the wall facing the mirror while she steps back, performs a brief energetic dance combination, then laughs at herself afterward. (~2s) Handheld close-up of her flushed face as she fans herself, smiling into the lens, saying, "Okay that took more out of me than I thought." (~1.5s) Tight selfie as she leans close, still catching her breath with bright eyes, quietly adding, "But it felt good though." (~2s) Final arm's-length selfie as she throws a towel over her shoulder, gives a small tired wave and warm smile, reaches toward the camera to stop recording, and softly says, "Okay, going home. Night guys."

Cinematic scene

highly realistic, cinematic 15-second widescreen video of an adorable fluffy calico cat receiving a dramatic makeover inside a miniature cool-cat barbershop. The cat wears a tiny black hairdresser cape, a small gold chain, and round sunglasses while sitting perfectly still in a vintage red barber chair with an extremely serious expression. Use a cinematic 16:9 horizontal composition. Keep the cat as the main subject while showing more of the colorful barbershop, including neon paw-print signs, mirrors, shelves of miniature grooming products, a vintage barber pole, and humorous cat-themed decorations. 0 to 3 seconds: Start with a smooth widescreen push-in toward the cat. Human hands gently comb the cat’s fluffy head fur while holding professional silver scissors nearby. The scissors carefully trim a removable fluffy costume wig placed on top of the cat’s head, never touching the cat. The cat slowly looks toward the camera with a suspicious side-eye. 3 to 7 seconds: Cut to a wider side angle showing the barber chair, grooming counter, and glowing neon background. The barber makes several quick, precise snipping motions. Tiny tufts from the fake wig float through the air in slow motion. The cat remains completely motionless, looking increasingly judgmental as upbeat funky music builds. 7 to 11 seconds: The barber spins the chair around for the big reveal. The camera pulls back slightly to show the full chair and barbershop setting. The cat is now wearing an absurdly tall, perfectly sculpted pompadour wig. A tiny fan blows through it dramatically while the cat lowers its sunglasses and stares directly into the camera like an action-movie hero. 11 to 15 seconds: The cat suddenly sneezes. The giant pompadour wig flies across the widescreen frame in slow motion and lands perfectly on the barber’s head. The cat looks at the barber, gives one tiny unimpressed meow, then reaches out and presses a miniature service bell on the counter. A glowing neon sign lights up behind the cat and reads, “Refund, please.” End with a fast comedic zoom toward the cat’s deadpan face while the barber stands frozen in the background wearing the ridiculous wig. Visual style: Photorealistic calico cat, highly detailed orange, black, and white fur, realistic whiskers and eye reflections, cinematic lighting, warm neon highlights, shallow depth of field, smooth camera movement, playful luxury barbershop setting, professional commercial quality, crisp 4K detail, natural animal movement, family-friendly comedy, cinematic widescreen composition, 16:9 aspect ratio.

Cinematic scene

FORMAT: 30 seconds | 16:9 | 24fps cinematic | ultra photorealistic live action | Hollywood studio comedy action | realistic human anatomy | premium VFX time freeze | daytime natural light IDENTITY LOCK: Maintain exactly the same two leads in every shot. Never change faces, hair, age, body proportions, wardrobe or props. No character morphing. No extra active fighters. All background passengers remain frozen statues after 0:03 and never move, never blink, never react. CHARACTERS DANI: late twenties Latina woman, 5 foot 3, athletic, black curly hair in a high messy bun, small gold hoop earrings, cafe uniform of black tee, dark green canvas apron, rolled sleeves, black jeans, worn white sneakers. Sharp, fast talking, unbothered. WALTER: mid fifties white man, 6 foot 1, tall and heavy shouldered, thinning gray hair, wire rim glasses, rumpled charcoal suit, loosened maroon tie, brown leather briefcase. Exhausted, dignified, quietly petty. ENVIRONMENT: Interior of a modern New York City public bus, midday. Blue and gray molded seats, chrome grab poles, rubber floor, overhead ad panels left blank. Bright hard sunlight cuts through large side windows in hot rectangles across the aisle. Outside the glass, a frozen Manhattan avenue with yellow cabs, pedestrians caught mid stride, pigeons suspended in air. Nine ordinary commuters frozen mid motion inside the bus. Exactly one empty aisle seat, midway back, sunlit, the object of the entire fight. 0:00 to 0:03 THE FREEZE HOOK Handheld medium shot down the aisle. The bus lurches. A commuter paper coffee cup launches from a hand, lid popping, liquid arcing. Dani and Walter both lunge toward the empty seat from opposite ends. Hard sound drop to silence. Everything stops. Coffee suspended as a glittering brown ribbon, dust motes still, pigeons pinned outside the window. Only Dani and Walter continue moving. 0:03 to 0:07 REALIZATION Both freeze mid lunge, straighten slowly, look at the suspended coffee, then at each other. Slow 30 degree camera orbit around the frozen splash between them. DANI: "Okay. Either we are both hallucinating, or that seat is cursed." WALTER: "It is my seat. I have been standing for eleven blocks." DANI: "Eleven blocks? Try eleven years, buddy." 0:07 to 0:11 FIRST EXCHANGE They rush each other. Comedic but real physicality. Walter throws a broad open hand shove, Dani ducks under his arm, plants a palm on his chest and slides past on the rubber floor. Whip pan follows her. She grabs a chrome pole and swings her legs at his shoulder. He blocks with a forearm. Both land clean, no cartoon physics. 0:11 to 0:15 THE BRIEFCASE Low angle. Walter reaches back for his briefcase. It hangs motionless in the air three feet behind him, frozen mid swing. DANI: "Your briefcase is stuck in the sky." WALTER: "Then I will improvise." He tugs a frozen commuter umbrella free with visible effort. The commuter stays rigid, hand still curled around nothing. 0:15 to 0:19 FROZEN OBSTACLE COURSE Fast tracking shot along the aisle. Dani vaults over a frozen seated man, uses a suspended shopping bag as a step, and pushes off an immobile standing passenger shoulder. Walter swings the umbrella. She parries with a rolled newspaper pulled from another frozen hand. Three crisp exchanges, readable, no slow motion. 0:19 to 0:23 POLE FIGHT Both grab the same chrome pole and spin around it in opposite directions, colliding shoulder to shoulder. Camera arcs with them. Walter glasses slide down his nose. Dani bun collapses. He hooks her apron strap. She twists free, leaving him holding a limp green apron. WALTER: "I have your apron." DANI: "I have your dignity." 0:23 to 0:27 TRUCE Both stop, breathing hard, three feet apart, hands on knees. Medium two shot, sunlight bars across their faces. The frozen coffee ribbon still hangs between them. DANI: "Truce?" WALTER: "Truce." They shake hands. Micro pause. Both eyes flick to the empty seat. 0:27 to 0:30 TIME RESUMES Both explode toward the seat simultaneously. The instant they move, the world unfreezes. Coffee splashes down, passengers jolt, pigeons scatter outside, engine noise slams back in. LAST FRAME: Locked medium wide composition down the bus aisle. Dani and Walter are wedged half onto the single seat side by side, both mid shove, both grinning, coffee spraying across the sunlit air between them. Nine confused passengers turn to stare. No text appears anywhere in frame. No subtitles, no captions, no signage lettering, no ad panel text, no logos, no watermarks. CAMERA LANGUAGE: Studio comedy action photography. Controlled handheld during physical exchanges, smooth dolly and orbit during freeze reveals, low angle hero framing for Walter, fast whip pans between leads. Anamorphic character, shallow depth on dialogue, natural motion blur, consistent screen direction and spatial geography inside the bus. VFX: Photoreal suspension physics. Frozen liquid holds surface tension and internal highlights. Dust and fabric hold perfect stillness. The resume moment restores full gravity and momentum in a single continuous frame with no morphing and no dissolve. AUDIO, DIEGETIC ONLY: No music score. Bus engine rumble and road noise before the freeze. During the freeze, near total silence with a faint high pitched air tone, breathing, sneaker squeak on rubber, apron fabric, umbrella whoosh, pole clang. English dialogue only, natural American accents, clean lip sync with proper bilabial closure. At resume, coffee splash, passenger gasps, engine and traffic return abruptly. NEGATIVE CONSTRAINTS: No text, subtitles, logos, watermark or UI. No background passenger movement during the freeze. No blood, no gore. No duplicated people. No extra limbs or fingers. No floating props except the deliberately frozen ones. No wardrobe changes. No face changes. No slapstick cartoon physics. No random slow motion. No excessive camera shake. Keep the comedy dry, the fight readable, the physics coherent.

Cinematic scene

Create a 15 second realistic home video with a slightly old camcorder look, soft indoor lighting, mild grain and natural motion blur. Static medium close shot in a dim living room. A middle aged woman with short brown hair, large eyeglasses and a loose blue T shirt sits facing the camera. A gray and white Siberian husky is pressed closely behind her left shoulder, its face beside hers. 0 to 4 seconds. The woman looks tired and relaxed, barely moving. The husky stares directly at the camera with wide alert eyes and an unnaturally broad toothy grin. Keep the pose almost still so the strange smile becomes increasingly noticeable. 4 to 7 seconds. The dog slowly turns its eyes and muzzle toward the woman while maintaining the huge grin. The woman begins to sense something beside her and slowly turns her head toward the dog. Her expression changes from neutral to confused and uneasy. 7 to 11 seconds. Their faces are very close. The woman leans slightly away with widened eyes and an open mouth. The husky tilts its muzzle upward, gradually opening its mouth wider, showing teeth in an exaggerated but playful creepy grin. Build awkward comedic tension with slow precise movement. 11 to 15 seconds. The husky suddenly lunges toward the woman’s face in one quick playful motion. She jerks backward in surprise. Add strong natural motion blur and a brief handheld camera shake at the impact moment, then end immediately on the chaotic reaction. Keep anatomy consistent, realistic fur, believable facial reactions, no injury, no blood, no text, no logo, no watermark.

このモデルの特長

これは生成画面ではなく、提供状況を明確にするためのモデルガイドです。想定用途、利用停止中の理由、同じ目的を有効なモデルへ移す方法を確認できます。

得意なこと
Seedance 1.0 Proは公開情報上、テキストや画像から動画を作る初期のSeedance Proファミリー機能に位置付けられます。ただし、そのファミリー能力だけでは現在このサイトで呼び出せることを証明できません。
おすすめのユーザー
モデルを調査している方、現在の提供状況を確かめたい方、近い用途の利用可能なモデルを選びたい方に向いています。
Kyeo AIで使う理由
正確な状況と移行先を示すため、ページは検索可能な状態を保ちます。生成、料金、アップロードの入口は閉じたままです。
現在利用できないことを明示未検証の料金やパラメータを非表示利用可能な代替モデルを案内
Seedance 1.0 Proの現在の状況Seedance 1.0 Proは利用可能かSeedance 1.0 Proの代替モデルSeedance 1.0 Proの機能ガイド

利用前の注意点

このページから生成を開始できず、タスク作成やクレジット消費も発生しません。
過去のインターフェース、料金、パラメータは現行契約ではないため、利用可能な仕様として掲載しません。
再開には、呼び出し、アップロード、課金、失敗時返金、全言語コンテンツの再審査が必要です。

同タイプのおすすめモデル

まだ決まっていない場合は、同タイプの候補も比較してみましょう。

Seedance 1.5 Pro

Seedance 1.5 Pro / 機能 — KyeoのSeedance 1.5 Proはテキストのみ、または画像最大2枚の入力に対応し、480p／720p／1080p、4–12秒、音声生成、6種類の比率、固定レンズを提供します。7～180クレジットはパラメータの組み合わせで決まり、Proという名称や高いクレジットが、このページで画質、安定性、公開適性を検証済みであることを意味するわけではありません。

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Seedance 2.0 Fast

Seedance 2.0 Fast / 機能 — textは素材を受け付けず、framesは開始フレームが必須で終了フレームは任意、referenceはプロンプトと画像・動画・音声のいずれか1種類以上が必須です。マルチモーダル参照と開始・終了フレームのフィールドは同時に送れません。 480p/720p · 4–15 · 41～450クレジット／回.

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Seedance 2.0

Seedance 2.0 / 機能 — textは素材を受け付けず、framesは開始フレームが必須で終了フレームは任意、referenceはプロンプトと画像・動画・音声のいずれか1種類以上が必須です。マルチモーダル参照と開始・終了フレームのフィールドは同時に送れません。 Seedance 2.0 は、テキスト、開始／終了フレーム、マルチモーダル参照の3つの排他的なシーンに対応します。現在利用できる出力は4～15秒の720p、1080p、4Kです。参照動画を使う場合は、現在価格を確認できる1080pまたは4Kに限られます。 1リクエスト 164～3,840クレジット

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よくある質問

情報源

本ページでは、公開されているモデルファミリーの能力と、サイト内での現在の提供状況を分けて記載します。未検証の料金・パラメータ・接続状況を現行仕様として扱いません。

サイト内提供状況の確認
接続情報

最新の確認で、このモデルは引き続き呼び出し不可と判定されています。公開するのは状況、能力の背景、利用可能な代替候補のみです。