Skip to main content
Kyeo AI
AI video model
Alibaba
Wan

Wan 2.6

No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed. The default is 1080p, 5 seconds, shot structure Off, and content filtering On.

Use this modelView credit pricingBack to Model Hub
Workflows
Text / 1 image / 1–3 videos
Credit cost
70–315 credits / request
Prompt limit
1–5,000 / 2–5,000
Upload limit
1 JPG/PNG/WebP · 1–3 MP4/MOV · 10 MB
30-second overview
  • Wan 2.6 — Route selection priority: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed.
  • Wan 2.6 — Valid durations: Text and image inputs support 5, 10, or 15 seconds; video input supports only 5 or 10 seconds.
  • Wan 2.6 — Six Kyeo prices: 720p at 5/10/15 seconds costs 70/140/210 credits, and 1080p costs 105/210/315 credits. Fifteen seconds is unavailable with video input.
  • Wan 2.6 — Visible controls and media: Accept exactly one JPG/PNG/WebP image at least 256×256 and no larger than 10 MB, or one to three MP4/MOV videos no larger than 10 MB each. Every file must pass type, size, geometry, and signed-metadata validation before the task starts.

Popular searches: How do I use Wan 2.6? · What are the six Wan 2.6 prices? · How does Wan 2.6 choose the text workflow?

Examples

Cinematic scene

Create a 15-second vertical 9:16 kinetic typography product video for any Nike shoe using @ Image1 as the main reference. Treat @ Image1 as the shoe’s full visual DNA. Analyze the shoe’s silhouette, proportions, colorway, materials, sole design, cushioning, textures, overlays, laces, and overall performance/lifestyle attitude, then make every typography choice feel physically derived from the shoe. The shoe must cause the typography to move. Do not place random animated text over the product. Use premium editorial kinetic typography with bold sans-serif letterforms. Let the type weight, width, spacing, distortion, color, texture, and motion adapt to the shoe’s identity. If the shoe feels fast, make the type stretched, condensed, and forward-driven. If it feels cushioned, make the type compress and rebound. If it feels chunky or basketball-oriented, make the type heavy, impactful, and explosive. If it feels futuristic, make the type sleek, dimensional, and experimental. Structure: 0–3s strong hook with macro product reveal and oversized typography interacting instantly with the shoe. 3–6s reveal the shoe details through fast editorial cuts while the typography forms from shoe lines, textures, and motion. 6–10s hero motion sequence where the shoe rotates, lands, accelerates, or cuts through space while words wrap around it, split apart, get sliced, compressed, stretched, or revealed through depth. 10–13s show 2–4 short kinetic words driven by the shoe’s character, such as SPEED, AIR, GRIP, FLY, IMPACT, MOVE, or ELEVATE. Use the model name only if it is visible or clearly recognizable from the reference. Never invent claims or tech not supported by the shoe. 13–15s end with a clean iconic hero lockup: the shoe centered, typography resolved, subtle Nike branding, premium finish. Visual style: ultra-clean, bold, high-contrast, premium Nike ad energy, photoreal product detail, sharp lighting, dynamic shadows, controlled motion blur, graphic backgrounds derived from the shoe palette, fast cuts, match cuts, typography-driven transitions, crisp readable text, no clutter, no extra objects unless they support the typography interaction. Camera language: macro push-ins, lateral tracking, orbit shots, top-down impact views, side-profile hero angles, and aggressive close detail shots. Keep the pacing energetic, stylish, modern, and satisfying.

Cinematic scene

MARC JACOBS — "SUMMER GLOSS" Lipstick Commercial **ACTIVE REFERENCES** **MODEL REFERENCE** Exact same woman as the bag campaign. Identical facial identity, hairstyle, body proportions, confident editorial expression, posture, walking style. Natural makeup base with the hero lipstick applied (rich, vibrant pink-rose gloss). She wears a soft, flowing babypink dress (lightweight silk-cotton blend, slightly billowy sleeves, midi length, elegant yet effortless summer style). Maintain identical identity throughout. No drift. **@Image 1 — MARC JACOBS LIPSTICK** Hero product reference. Sleek metallic tube in warm rose-gold finish with signature MJ engraving. Creamy, high-shine gloss in a fresh pink-rose shade that catches light beautifully. Maintain exact tube design, color, logo placement, and glossy bullet texture. Never redesign. **@Image 2 — LIP CLOSE-UP & APPLICATION** Reference for extreme beauty macros: perfectly applied glossy lips, micro texture of the gloss, light refraction on the lips, subtle lip movement when speaking or smiling faintly. **LOCATION** Busy Manhattan intersection. Warm late-afternoon golden sunlight. Historic brownstone buildings. Yellow taxis. Crosswalk. Light traffic. Editorial New York energy. Same architecture and atmosphere as the bag film. **FORMAT** Single continuous luxury fashion film. 45 seconds. Horizontal 16:9. Museum-quality realism. No AI look. No CGI. Photoreal filmic beauty. **DIRECTOR'S NOTES** This is not just a lipstick ad — it’s about radiant confidence that never fades. She moves through the fast city on her own terms. The gloss stays impossibly luminous and glossy under direct sunlight, even as she walks, speaks, and smiles. The film celebrates the product’s staying power and the effortless glow it gives her. Alternate constantly between: • Movement & confidence • Beauty close-ups • Product texture & application • Sunlit glamour Every 3–4 seconds the lipstick (or her lips) returns as the hero. Every cut feels expensive. Think Marc Jacobs beauty campaign meets Vogue beauty film. **COLOR PALETTE** Warm golden sunlight, soft babypink tones, rose-gold accents, rich skin tones, honey highlights. Kodak Vision3 film look. Subtle halation. Soft film grain. Natural skin. No teal-orange. **CAMERA** Organic handheld + editorial dolly. Short slider moves. Gentle whip pans. Macro beauty photography. Natural lens breathing. Occasional foreground wipes with taxis/pedestrians. **LENSES** 100mm Macro | 85mm Portrait | 50mm | 35mm Street | 24mm Tracking. All behave like real cinema glass with beautiful falloff. --- **SEGMENT 1 (0.0–6s)** Ground level 24mm tracking shot. Camera starts at knee/hip height. Flowing babypink dress hem, strappy sandals, and her confident stride fill the frame. A yellow taxi whips across foreground. At 3 seconds — cut to 100mm macro: she pulls the MARC JACOBS lipstick from her bag, twists it up. Golden sunlight hits the rose-gold tube and the glossy bullet. Extreme texture detail. She applies it smoothly in one fluid motion (mirrorless, on the move). Lips transform into high-shine perfection. **SEGMENT 2 (6–14s)** 50mm medium portrait. Camera tracks backward as she walks calmly across the crosswalk. Babypink dress flows gently in the breeze. Hair moves naturally. Effortless, confident expression (soft, knowing half-smile). Golden sunlight kisses her face. Her lips remain mirror-glossy, catching every ray of light. A taxi blurs behind her. **CUT to fast 0.3-second macro montage** (lips + product): - Gloss catching sunlight, no fading - Creamy texture close-up - Lip movement as she gently presses lips together - Light refracting on the high-shine surface **SEGMENT 3 (14–23s)** 35mm three-quarter tracking shot, matching her walking speed. Side angle. Dress sleeve billows. She turns her head slightly toward the sun, lips prominently featured. Foreground pedestrians and a passing bicycle create natural wipes. **CUT to 100mm macro:** Fingers holding the lipstick tube. She twists it down slowly. Rose-gold metal reflects warm sunlight. Subtle embossed logo visible. Natural reflections only. **SEGMENT 4 (23–32s)** 85mm hero portrait. She pauses at the corner, golden sunlight wrapping her face and shoulders. Babypink dress looks ethereal. She turns slightly toward the city horizon, then glances toward camera with quiet confidence. Lips still impossibly glossy and fresh. Slow push-in on her face. **Voice-over begins** (warm, intimate, luxurious female voice): “In the heat of the city… one gloss refuses to fade.” **SEGMENT 5 (32–40s)** Dynamic montage: - Walking again (medium shot) - Quick macro of lips in direct sun — gloss still perfect - She laughs softly (natural micro-expression) — gloss stays vibrant - Hand bringing lipstick tube back into frame for a final beauty shot - Final macro of lips + tube side-by-side, both glowing in golden hour light **Voice-over continues:** “Marc Jacobs Summer Gloss. Stays luminous. Stays you.” **SEGMENT 6 (40–45s)** Hero product lock. 100mm macro. Lipstick tube fills frame with perfect sunlight raking across the rose-gold metal and glossy bullet. Hold on the texture. Soft fade to black with elegant MJ logo and product name. **PERFORMANCE** Luxury editorial restraint. Natural walking rhythm. Relaxed shoulders. Real micro-expressions. Confident but never over-posed. Slow breathing. The gloss is the star — always pristine. **PRODUCT LOCKS** Lipstick tube and color must be identical to reference. Extreme gloss retention in sunlight is the hero claim. No color fade. No smudging. Natural lip movement with perfect shine maintained at all times. **PHYSICS & LIGHTING** Dress flows realistically in city wind. Hair reacts naturally. Golden hour sunlight with soft building bounce. Natural skin tones and highlight roll-off. Lip gloss has visible, believable shine and light refraction. **AUDIO** Premium luxury electronic track with warm analog bass and subtle percussion. Layered diegetic city sounds (taxis, footsteps, soft wind). Delicate gloss application sound, fabric rustle, and lipstick cap clicks during macros. Voice-over is intimate and aspirational.

Cinematic scene

Create a 45-second 3D Pixar-style animated commercial for GLOWDROP – 24-Hour Liquid Blush in a vertical smartphone format. Use bright, colorful visuals with expressive cartoon characters, smooth exaggerated animation, cinematic lighting, and dynamic camera movements. The story takes place in a cozy apartment bathroom during a warm morning. Zara, a young woman in pajamas and a satin robe, panics after seeing a notification that her first date is in 20 minutes. Her regular powder blush fades instantly, leaving her frustrated, while her roommate's fluffy white Pomeranian, Milo, silently watches with hilarious judgmental reactions. After desperately searching through makeup, Zara discovers the glowing GLOWDROP bottle. She applies two dots, instantly revealing a radiant, long-lasting flush that transforms her confidence. A fast-paced montage shows her finishing her look, confidently heading out, and impressing her waiting date, while Milo proudly follows along. End with a clean hero product shot of the rotating GLOWDROP bottle against a soft pink background with the tagline: "GLOWDROP — Blush That Doesn't Quit." Keep the tone playful, relatable, and comedy-driven, featuring expressive character animation, internet-style humor, glowing beauty visuals, and Milo's silent reactions as the scene-stealing sidekick.

Cinematic scene

A cinematic 30-second summer short film featuring the same young woman throughout the entire video, set in a peaceful American countryside during golden hour. She has shoulder-length dark hair, natural makeup, and a soft youthful appearance. The video opens with a close-up side profile of her standing in a wide green meadow under a dramatic blue sky with soft clouds. Gentle sunlight falls across her face as the wind moves her hair naturally. Cut to a medium shot of her walking slowly through the field, turning her head back toward the camera with a calm, slightly nostalgic expression. Keep her facial identity, hairstyle, body proportions, and outfit consistent. Transition to an intimate overhead and side-angle shot of her lying in tall green grass, looking upward at the sky. The grass moves softly in the breeze, creating a relaxed summer atmosphere. Then move to a rustic countryside location with a classic red wooden barn and fence in the background. She casually leans against the fence, playing with her hair, with warm sunlight creating natural lens flare and soft rim light. For the final scene, she sits alone on outdoor bleachers during sunset, wearing a white tank top and relaxed sporty shorts, holding a dark glass bottle near her face. Warm backlight shines through her hair as she closes her eyes and enjoys the moment. End with a dreamy soft-focus shot and subtle cinematic fade, evoking the feeling of a nostalgic summer memory. Realistic photography, cinematic natural lighting, golden hour sunlight, soft film grain, shallow depth of field, gentle handheld camera movement, natural body movement, realistic skin texture, subtle wind, warm nostalgic summer mood, consistent character identity, smooth scene transitions, emotional visual storytelling, indie coming-of-age film aesthetic, high-end music video cinematography, 9:16 vertical format.

Cinematic scene

10-second photorealistic cinematic comedy video of a giant realistic pinkish-brown octopus working as a car-wash attendant at a busy roadside car wash. A silver 1990s-style sedan is covered in thick white soap suds. The octopus is absurdly energetic, using all eight tentacles simultaneously to scrub and wash the car with yellow sponges and soapy water. A confused male driver sits inside the car watching the bizarre situation unfold. Busy traffic, urban freeway environment, warm late-afternoon sunlight, realistic reflections, water droplets and foam, believable octopus anatomy and natural tentacle movement. The humour comes from treating the giant octopus completely seriously as a professional car washer. Timeline Breakdown: 0–2s: Wide frontal establishing shot. A silver sedan sits at the car wash, completely covered in soap. The giant octopus stands beside it, already holding several yellow sponges with different tentacles. The driver looks through the windshield in disbelief. Camera slowly pushes toward the car. 2–5s: The octopus suddenly goes into overdrive. All eight tentacles rapidly scrub different parts of the vehicle simultaneously windshield, roof, hood and side windows. Thick foam flies everywhere. Water sprays toward the camera. The driver looks increasingly shocked. 5-7.5s: Fast, energetic cinematic movement around the front corner of the car. Tentacles whip across the windshield and roof in exaggerated but physically believable motions. Soap and water cascade down the glass. One tentacle vigorously scrubs the windshield directly in front of the bewildered driver. 7.5-9s: The octopus suddenly stops and proudly steps back. The car is now extremely clean and sparkling. The driver gives the octopus a confused look, then starts driving forward. 9-10s: The silver car drives away. The octopus remains beside the wash station holding its sponges, watching the car leave. End on a slightly wide comedic shot as traffic passes behind it. Visual Style: Photorealistic live-action, cinematic comedy, realistic practical-effects appearance, natural skin and suction-cup detail, physically accurate water and soap physics, realistic vehicle reflections, shallow depth of field, subtle handheld camera movement, warm natural sunlight, high-detail 4K cinematic image quality. Camera: Professional cinema camera, 35mm lens, realistic motion blur, natural exposure, occasional water droplets hitting the lens, smooth cinematic tracking combined with brief energetic handheld movement. Important: Keep the same octopus, car, driver, environment and lighting consistent throughout. No cartoon appearance, no animation, no extra limbs, no deformed tentacles, no morphing, no text, no subtitles, no logos. The octopus must remain anatomically believable despite the absurd comedic premise.

Cinematic scene

[0:00–0:02] Title Card: Clean minimal text animation: DESERT REVERIE fades in centered, thin serif white font, subtle letter spacing expand animation, over a blurred desert background (soft bokeh of red mesas and blue sky). Text holds for 1.5s then fades out smoothly. [0:02–0:05] Establishing Shot: Wide static shot, Monument Valley desert at midday. A vintage teal 1960s muscle car sits parked on a dirt road, red sandstone mesas in the background, clear blue sky. A man in a fringed jacket and cowboy boots reclines on the hood, hands behind his head, completely relaxed. Heat haze shimmers faintly above the ground. [0:05–0:09] Rising Action: Low angle GoPro shot from near the front bumper, slowly tilting upward. A powerful brown horse leaps into frame from the left, mid air, legs tucked, mane and tail whipping with motion. Camera holds steady as the horse arcs gracefully over the car and the reclining man, muscles rippling naturally, correct anatomy maintained (four legs, proper joint bends, no warping). [0:09–0:13] Landing & Dust: Camera transitions to a slow dolly in from the front of the car. Horse lands just behind the vehicle, front hooves touching down first, kicking up a dramatic cascade of dust and sand in realistic particle simulation. Man on the hood remains still and unfazed, jacket fringe fluttering slightly in the wind. Golden desert light, hard natural shadows. [0:13–0:15] Final Hold: Slow motion ramp (0.5x) on the settling dust cloud, mesas sharp in the background, sky calm and clear. Gentle fade to black. Technical requirements: Horse: exactly 4 legs, correct joint articulation, no limb warping, no extra hooves. Man: correct hand/finger anatomy (5 fingers each), no facial morphing. Car body lines and wheels remain stable, no distortion. Consistent dust/sand particle physics, no flicker artifacts. No watermarks, logos, or text overlays except the title card. 16:9 aspect ratio throughout, no letterboxing Color grading: warm desert tones, teal car accent, natural sky gradient, cinematic contrast.

At a glance

Is this model right for you?

No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed. Text and image inputs support 5, 10, or 15 seconds; video input supports only 5 or 10 seconds.

What it does best
Wan 2.6 — Workflows: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed.
Who it is for
Wan 2.6 — Media and safety boundary: Accept exactly one JPG/PNG/WebP image at least 256×256 and no larger than 10 MB, or one to three MP4/MOV videos no larger than 10 MB each. Every file must pass type, size, geometry, and signed-metadata validation before the task starts.
Why use it on Kyeo AI
Wan 2.6 — Video duration: Text and image inputs support 5, 10, or 15 seconds; video input supports only 5 or 10 seconds. Shot structure defaults to Off, and content filtering defaults to On. Both controls are visible and sent explicitly.

Key facts

Quickly evaluate whether this model fits your business use case.

Category
AI video model
Vendor
Alibaba
Model family
Wan
Runtime
Asynchronous task
Prompt limit
Text: 1–5,000 characters; image/video: 2–5,000 characters
Upload limit
1 JPG/PNG/WebP image (≥256×256, ≤10 MB) or 1–3 MP4/MOV videos (≤10 MB/file)

Other names

The same model may have different names in official documentation, community discussions, and API integrations. This section brings them together for you.

Alibaba Wan 2.6
Wan 2.6

Common questions

These practical questions focus on the task, input conditions, and result requirements you should confirm before choosing.

How do I use Wan 2.6?
What are the six Wan 2.6 prices?
How does Wan 2.6 choose the text workflow?
Which image specifications does Wan 2.6 require?
How many videos does Kyeo accept for Wan 2.6?
Which Wan 2.6 routes support 15 seconds?
What do Wan 2.6 720p and 1080p cost?
What happens if Wan 2.6 receives an image and video?
What is the minimum Wan 2.6 prompt length?
Wan 2.6 Shot structure
Wan 2.6 Content filter

Decision guide

Still deciding? Start with these key decision points.

1
Choose one input path first

Choose one input path first: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed.

2
Filter duration by workflow

Filter duration by workflow: Text and image inputs support 5, 10, or 15 seconds; video input supports only 5 or 10 seconds.

3
Build three separate baselines

Build three separate baselines: The default is 1080p, 5 seconds, shot structure Off, and content filtering On. Compare models with the same prompt, media, duration, and resolution; test returned results instead of assuming marketing claims.

Popular comparisons

Compare common alternatives on the same task to clarify differences in inputs, controls, and cost.

How does Wan 2.6 differ from Kling 2.6?
Wan 2.6 vs Kling 2.6 input routes and duration
How does Wan 2.6 compare with Hailuo 2.3?
Wan 2.6 vs Hailuo 2.3 media and billing
What separates Wan 2.6 from Seedance 1.5 Pro?
Wan 2.6 vs Seedance 1.5 Pro controls

Model comparison table

Not sure which model to choose? Compare the key differences between this model and its alternatives at a glance.

Kyeo input paths
Wan 2.6
Kyeo input paths / Wan 2.6: Text / 1 image / 1–3 videos
Wan 2.7 Video
Separate text, first-last-frame or extension, and video-edit routes
Kling 2.6
Separate text and image routes
Route selection priority
Wan 2.6
Route selection priority / Wan 2.6: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed.
Wan 2.7 Video
Media selects a 2.7 text, image, or video-edit workflow
Kling 2.6
Image presence switches between text and image routes
Valid durations
Wan 2.6
Valid durations / Wan 2.6: Text and image inputs support 5, 10, or 15 seconds; video input supports only 5 or 10 seconds.
Wan 2.7 Video
Text/image support 5/10/15s; video editing has a separate contract
Kling 2.6
Text and image both use 5/10s
Six Kyeo prices
Wan 2.6
Six Kyeo prices / Wan 2.6: 720p at 5/10/15 seconds costs 70/140/210 credits, and 1080p costs 105/210/315 credits. Fifteen seconds is unavailable with video input.
Wan 2.7 Video
Priced separately by 2.7 workflow, resolution, and duration
Seedance 1.5 Pro
Priced by resolution, duration, and input mode
Visible controls and media
Wan 2.6
Visible controls and media / Wan 2.6: Resolution, Video duration, Shot structure, Content filter
Wan 2.7 Video
Controls and media slots vary by 2.7 workflow
Kling 2.6
Shows Kling-specific duration, ratio, and sound controls

Real-world experience

Practical guidance based on public sources, current on-site limits, and representative tasks.

Wan 2.6 — Media-driven three-workflow selection

Wan 2.6 / Media-driven three-workflow selection: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed.

Wan 2.6 — Six-entry credit table

Wan 2.6 / Six-entry credit table: 720p at 5/10/15 seconds costs 70/140/210 credits, and 1080p costs 105/210/315 credits. Fifteen seconds is unavailable with video input. Compare models with the same prompt, media, duration, and resolution; test returned results instead of assuming marketing claims.

Capabilities

Media-driven three-workflow selection

Media-driven three-workflow selection: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed.

Six-entry credit table

Six-entry credit table: 720p at 5/10/15 seconds costs 70/140/210 credits, and 1080p costs 105/210/315 credits. Fifteen seconds is unavailable with video input.

Media and safety boundary

Media and safety boundary: Accept exactly one JPG/PNG/WebP image at least 256×256 and no larger than 10 MB, or one to three MP4/MOV videos no larger than 10 MB each. Every file must pass type, size, geometry, and signed-metadata validation before the task starts. Shot structure defaults to Off, and content filtering defaults to On. Both controls are visible and sent explicitly.

Use cases

Text-only baseline

Text-only baseline: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed. The default is 1080p, 5 seconds, shot structure Off, and content filtering On.

One-image motion test

One-image motion test: Accept exactly one JPG/PNG/WebP image at least 256×256 and no larger than 10 MB, or one to three MP4/MOV videos no larger than 10 MB each. Every file must pass type, size, geometry, and signed-metadata validation before the task starts. The default is 1080p, 5 seconds, shot structure Off, and content filtering On.

1–3 MP4/MOV — Video duration

1–3 MP4/MOV — Video duration: Accept exactly one JPG/PNG/WebP image at least 256×256 and no larger than 10 MB, or one to three MP4/MOV videos no larger than 10 MB each. Every file must pass type, size, geometry, and signed-metadata validation before the task starts. Text and image inputs support 5, 10, or 15 seconds; video input supports only 5 or 10 seconds.

Prompt tips

Confirm one media path

Confirm one media path: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed.

Change one output control at a time

Change one output control at a time: 720p at 5/10/15 seconds costs 70/140/210 credits, and 1080p costs 105/210/315 credits. Fifteen seconds is unavailable with video input.

Shot structure / Content filter

Shot structure / Content filter: Shot structure defaults to Off, and content filtering defaults to On. Both controls are visible and sent explicitly. The model does not generate an audio track. Review every result for safety, rights, identity, and publishing quality.

Why choose it

Workflows: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed.
Credit cost: 720p at 5/10/15 seconds costs 70/140/210 credits, and 1080p costs 105/210/315 credits. Fifteen seconds is unavailable with video input.
Upload limit: Accept exactly one JPG/PNG/WebP image at least 256×256 and no larger than 10 MB, or one to three MP4/MOV videos no larger than 10 MB each. Every file must pass type, size, geometry, and signed-metadata validation before the task starts.
Video duration: Text and image inputs support 5, 10, or 15 seconds; video input supports only 5 or 10 seconds.

What to know first

Wan 2.6 — Filter duration by workflow: Text and image inputs support 5, 10, or 15 seconds; video input supports only 5 or 10 seconds.
Wan 2.6 — Upload limit: Accept exactly one JPG/PNG/WebP image at least 256×256 and no larger than 10 MB, or one to three MP4/MOV videos no larger than 10 MB each. Every file must pass type, size, geometry, and signed-metadata validation before the task starts.
Wan 2.6 — Choose one input path first: No media selects text-to-video, exactly one image selects image-to-video, and one to three videos select video editing; images and videos cannot be mixed.
Wan 2.6 — Shot structure / Content filter: Shot structure defaults to Off, and content filtering defaults to On. Both controls are visible and sent explicitly. The model does not generate an audio track. Review every result for safety, rights, identity, and publishing quality.

Adjustable settings

Quickly evaluate whether this model fits your business use case.

Resolution
Optional
Parameter type: select
Default: 1080p
720p
1080p
Video duration
Optional
Parameter type: select
Default: 5
5 seconds
10 seconds
15 seconds (text/image only)
Shot structure
Optional
Parameter type: select
Default: false
Single-shot (false)
Multi-shot (true)
Content filter
Optional
Parameter type: Dropdown
Default: On
Off
On

Credit cost

70–315 credits / request

720p at 5/10/15 seconds costs 70/140/210 credits, and 1080p costs 105/210/315 credits. Fifteen seconds is unavailable with video input.

Credit-saving tip

Before generating images or videos in bulk, run an A/B test with the same input on this model and similar alternatives. Confirm the result first to avoid wasting credits.

Frequently asked questions

Related models

Still deciding? Take a quick look at these similar alternatives.

Kling 2.6

Kling 2.6 is a two-workflow video service on Kyeo: text requests use text-to-video, while requests with an image use single-image animation. Both routes offer 5/10 seconds and a `sound` toggle; text generation also provides three aspect ratios. The four Kyeo credit tiers are 55, 110, 110, and 220.

AI video model
55-220 credits / request
View detailsUse now

Hailuo 2.3

Kyeo has six valid combinations: Standard 768P at 6/10 seconds and 1080P at 6 seconds cost 25/40/40 credits; the matching Pro prices are 40/80/70. 1080P does not support 10 seconds. Exactly 1 JPG/PNG/WebP file, up to 10MB.

AI video model
25-80 credits / request
View detailsUse now

Seedance 1.5 Pro

Seedance 1.5 Pro / Capabilities — Seedance 1.5 Pro on Kyeo AI accepts text alone or up to two images and exposes 480p/720p/1080p, 4–12 seconds, generated audio, six ratios, and a fixed-lens switch. The 7–180-credit cost follows the selected combination; the Pro name and higher credit cost do not prove image quality, stability, or publication readiness.

AI video model
7–180 credits per request
View detailsUse now

Sources

This page is based on vendor materials, model-family documentation, and Kyeo AI integration settings.

Source note

Reviewed against Alibaba Cloud's official Wan 2.6 series announcement and official video-model overview. The public facts below distinguish text, image, and video inputs, callable durations, local credits, verified media limits, and visible controls; marketing claims are not treated as tested results.

Last updated: 2026-08-27
Alibaba Cloud: Wan 2.6 series launch
Official
Open original source
Alibaba Cloud: video generation model overview
Official
Open original source