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AI動画モデル
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Sora Watermark Remover

Sora Watermark Removerは既存動画の画面を整える過去のワークフロー資料に関わるモデルです。現在は生成を停止しており、タスク作成やクレジット消費は発生しません。検証済みの背景情報と利用可能な代替モデルを掲載しています。

現在オンラインでは利用できません

このページでは、モデルの機能、用途、公開情報のみ確認できます。このモデルはホームのワークベンチに表示されず、生成タスクも送信できません。

利用できるモデルを見る

例

Cinematic scene

Create an 8 second square 1:1 experimental art film featuring a small stack of handmade playing cards placed in the exact center of a deep crimson red textured surface. Use a perfectly locked top down overhead camera with a clean, symmetrical composition. The frame should feel balanced and minimal, with the deck centered and enough negative space around it. No camera movement, no hands, and no surrounding objects. The cards are warm off white with slightly uneven handmade edges, softly bent corners, subtle paper fibers, realistic thickness, delicate contact shadows, and a faint shadow beneath the deck. The background is a rich dark red textured surface, resembling paper, fabric, or velvet, with soft studio lighting, a gentle vignette, and darker edges. Animate the top card using rapid rhythmic stop-motion jump cuts. Replace the card approximately every three frames, creating around eight sharp transformations per second. Each new card should remain briefly frozen before instantly changing into another design. Add extremely subtle deck wobble, tiny positional shifts, slight changes in rotation, natural paper vibration, and occasional one frame motion smears during transitions. Each card contains a different bold editorial illustration created only with black, white, and vivid scarlet-red ink. Cycle through surreal minimalist artwork such as: horse riders, galloping horses, elegant female silhouettes, dancers, abstract human faces, expressive eyes, red lips, flowers, fashion portraits, masked figures, brush painted bodies, geometric facial fragments, mysterious black shadows, and poetic botanical symbols. Use rough ink strokes, screen printed textures, imperfect paint edges, dry brush marks, vintage European graphic design, contemporary fashion branding, handmade collage aesthetics, and refined artistic playing card composition. Include small abstract playing card rank and suit markings in opposite corners, but no readable sentences, logos, captions, or watermarks. Keep the white deck consistently centered while only the illustration, card markings, slight card shape, and tiny rotation change. Synchronize every transformation to a fast sequence of crisp mechanical clicks, card tapping sounds, and minimalist percussion. Build a hypnotic rhythm that becomes slightly more intense toward the end. Finish on a clean card featuring a graceful black human silhouette with one strong red accent. Hold the final image sharply for a brief moment before ending with a direct cut. Visual quality: premium studio photography, realistic paper texture, sharp graphic details, deep red and black contrast, soft cinematic shadows, polished art direction, subtle film grain, high end editorial branding film, smooth 24 fps output while preserving the deliberate 8 fps stop motion transformation rhythm. Avoid: moving camera, zooming, human hands, floating cards, cards flying away, messy background, colorful rainbow palette, blue or green tones, readable words, distorted card stacks, melting paper, excessive 3D effects, smooth morphing between illustrations, cartoon animation, subtitles, or watermark.

Cinematic scene

0–1 sec Black screen. Then— EXTREME CLOSE-UP. White-gloved hand fills frame. Fingers spread. Wrist snaps. A web shoots upward. Camera instantly pulls backward revealing Kuala Lumpur. 1–4 sec Wide shot. She swings low through a lively Kuala Lumpur heritage street around Jalan Sultan and Petaling Street. Old shophouses. Five-foot walkways. Colorful signboards. Small cafés. Street vendors. Malaysian flags fluttering. She swings only about 3 meters above the road. Body perfectly streamlined. At the lowest point of the swing her feet lightly skim the roof of a parked Perodua Myvi. The contact is brief but physical. Her feet bounce naturally. She redirects her momentum. Camera banks approximately 40 degrees while weaving between buildings. 4–7 sec She releases the web. Her body opens naturally. Instead of firing another web immediately— She lands onto the side wall of a heritage shophouse. Runs vertically for 4–5 powerful steps. Body leaning roughly 45 degrees toward the wall. Feet strike concrete realistically. Arms pump. Hair flows sideways. At the top— She compresses both legs. Explodes away from the wall. Launches across a major intersection. Shoots another web toward the upper structure of Menara Maybank. Swing pulls her sharply sideways. Camera rolls approximately 60 degrees. 7–10 sec She swings low along Jalan Raja Chulan. Traffic flows beneath her. Grab cars. Motorcycles. RapidKL buses. She releases the web. Her feet land on the asphalt. Immediately transitions into a powerful sprint. Body leaning forward. Three to four athletic running steps between moving traffic. A Grab driver honks. She laughs instinctively. She plants one foot onto the side of a stationary taxi. Pushes explosively from the roof. Launches upward. Fires another web toward a nearby skyscraper. "WOOHOO!" 10–15 sec Wide cinematic shot. Drone rises with her toward rooftop level. Not excessively high. The skyline opens. Petronas Twin Towers dominate one side. Merdeka 118 rises in the distance. Golden hour. Warm orange sunlight. Pink clouds. Soft tropical haze. She reaches the highest point. Body naturally arches. Arms gently open. Eyes closed. Head tilted slightly back. She becomes a tiny silhouette centered against the enormous glowing Malaysian sunset sky. The frame lingers. One quiet breath. Gravity begins pulling her downward. Fade.

Cinematic scene

15-second cinematic action sequence inside a gigantic oil refinery fortress in a post-apocalyptic wasteland, black smoke pouring into orange skies, giant turbines shaking the metal structures constantly. 0.0–3.0s: Camera races low through mud and leaking oil as a scavenger raider with a modified plasma shotgun slides beneath spinning machinery. 3.0–6.0s: A towering diesel-powered enforcer stomps onto a catwalk above, hydraulic armor hissing steam with every movement. Floodlights flare through smoke. 6.0–12.0s: Continuous brutal industrial combat across moving conveyor systems and collapsing scaffolding, fire erupting from ruptured pipes around them. 12.0–15.0s: Wide aerial shot reveals the burning refinery fortress surrounded by endless wasteland while explosions ripple across the structure.

Cinematic scene

Create a 30 second photorealistic fashion transformation video in a 16:9 landscape frame. A stylish young woman with long softly waved brown hair, warm medium skin, round black glasses, small earrings, natural makeup, and consistent facial features stands in the same modern office washroom or dressing area for the entire video. The background has large charcoal gray stone tiles, a pale ceiling, a slim black wall rail on the left, and a narrow metal partition line on the right. Keep every architectural line perfectly fixed across all cuts. Camera is locked on a tripod at eye level, medium full shot from mid thigh upward, using a natural 35 mm equivalent smartphone lens. The subject remains centered with enough space on both sides for the landscape composition. No camera shake, zoom, reframing, or perspective change. Use crisp realistic detail, true skin texture, fine hair strands, believable fabric folds, accurate hands, subtle breathing, and tiny posture adjustments. Lighting is soft cool overhead office lighting with gentle facial fill, mild reflections on the gray tiles, consistent exposure, and realistic shadow direction. Begin with her palm very close to the lens, briefly obscuring most of the frame. She pulls her hand away and reveals the first outfit, a sleeveless pale blue floral office dress with a light scarf over one shoulder. She looks calmly into the camera, lowers her arm, places one hand on her hip, glances upward with a mildly unimpressed expression, then folds her arms. Match this exact folded arm pose for the first invisible jump cut. Across the next twenty four seconds, reveal nine distinct office outfits through clean pose matched cuts timed to the music. Use a lemon yellow floral kimono blouse, a relaxed ivory button shirt with navy trousers, a fitted black sleeveless top with dark tailored pants and a brown belt, a soft blush pink top with black trousers, a deep green crew neck blouse, a vivid blue paisley shift dress, a black and white dotted peplum blouse, a camel blazer over a cream top, and a final elegant burgundy wrap dress. Between changes, give her natural confident gestures such as a small shoulder bounce, two thumbs up, hands settling on hips, crossing her arms, turning her chin, smoothing a cuff, lightly flicking her hair, pointing toward her cheek, and smiling directly at camera. Each gesture should begin in one outfit and end in the next so the cut feels practical and intentional, never like body morphing. Hold each look long enough to read clearly, roughly two seconds per outfit, with cuts landing on strong beats. Preserve identical body position, hair direction, glasses placement, limb anatomy, background geometry, and lighting at every transition. Avoid warped fingers, changing facial identity, floating clothing, cloth melting, duplicated accessories, sudden camera motion, or artificial beauty smoothing. For the final four seconds, she lands in the burgundy dress with one hand on her hip, gives a warm playful smile, taps one finger lightly against her cheek, then reaches toward the lens until her palm fills the frame, creating a natural practical ending. Do not add captions, logos, watermarks, interface graphics, or generated text. Music should be an upbeat polished fashion pop instrumental at about 112 beats per minute with tight percussion, light bass, finger snaps, bright synth accents, and clean beat drops for every outfit change. Add subtle realistic clothing movement, bracelet clicks, and a soft hand whoosh at the opening and closing. The finished result should feel like a real creator filmed several office looks in one location and edited them precisely to music.

Cinematic scene

Hyper realistic blockbuster cinematic 15 second action sequence in one true unbroken continuous shot, with no cuts, no morphing, and no scene transitions. A rally car races along a narrow alpine cliff road in bright cold daylight, escaping a falling avalanche and trying to reach a tunnel before the route is buried. The camera begins high above in a wide aerial view revealing snow peaks, sheer drops, and the winding road, then physically dives toward the car into a close tracking chase. It glides beside the doors, drops low near the spinning tires as snow sprays, rises overhead to reveal the avalanche rushing behind, then arcs outward into a high circling drone like view before descending again into a front facing backward tracking move. The shot remains seamless throughout as the car drifts around icy switchbacks, clips loose snow, and bursts toward the tunnel just ahead of the collapsing slope.

Cinematic scene

15-second, 16:9 realistic cinematic werewolf transformation. One male subject, one forest clearing, continuous action. Photorealistic dark fantasy cinematography, realistic anatomy, dramatic moonlight, natural environmental physics. Use Image 1 ONLY as the human male reference. Use Image 2 ONLY for the cold blue-gray forest environment. Use Image 3 ONLY as reference for the facial transformation/fur appearance. Use Image 4 ONLY as reference for the final werewolf form. Maintain the SAME male identity throughout the transformation. ONE CONTINUOUS SHOT with seamless transformation. No cuts, teleportation, flashes or scene changes. 0–2.5s — HUMAN: Cold blue-gray forest clearing, wet ground, tall trees and drifting mist. The man wears a black jacket and charcoal shirt. He grips his head and breathes heavily as wind begins to rise. Medium close-up with a slow cinematic push-in. 2.5–5s — TRANSFORMATION BEGINS: Move into a frontal close-up. He arches backward in pain, shoulders shaking, fingers gripping his scalp. Jaw tightens, neck veins become visible. Subtle handheld camera shake. His eyes flash amber ONCE. No white flash. 5–8s — FACE TRANSFORMATION: His face transforms progressively and realistically: brow and jaw enlarge, nose extends, fangs emerge, ears sharpen, and dark brown-gray fur spreads across his cheeks, neck and shoulders. He screams and transitions into a deep animalistic growl. Hands remain near his head. Camera smoothly circles toward a three-quarter angle. 8–10.5s — CLAW + BODY CHANGE: He drops one arm and slams one five-fingered claw into the wet ground, scattering leaves, dirt and mist. His black jacket tears apart and disappears beneath rapidly growing fur. He forcefully turns toward screen right. 10.5–13s — FULL WEREWOLF: Camera pulls back into a dramatic low angle as fur completely covers his torso, arms and legs. He becomes a massive adult male BIPEDAL werewolf with broad shoulders, deep chest, muscular limbs, realistic wolf head, exactly two arms, two legs, two clawed hands, two wolf feet and one tail. Upright humanoid predator. NEVER quadrupedal. 13–15s — HOWL: He plants both feet firmly, expands his chest and raises his head toward the full moon in the upper-right sky. He releases a deep chest roar that evolves into a powerful wolf howl. Show visible throat and chest vibration. The howl pushes mist outward in a subtle ripple. End on a dominant full-body silhouette against the moonlit forest. SOUND DESIGN: Deep heartbeat, strained breathing, subtle bone and muscle transformation sounds, cracking transformation, explosive growl, heavy claw impact, deep chest roar and echoing howl. VISUAL STYLE: Photorealistic dark fantasy film, cinematic moonlight, realistic wet surfaces, volumetric mist, detailed fur, natural skin texture, realistic muscle movement, physically accurate transformation, shallow depth of field, dramatic low-angle cinematography, premium Hollywood creature-film quality.

このモデルの特長

これは生成画面ではなく、提供状況を明確にするためのモデルガイドです。想定用途、利用停止中の理由、同じ目的を有効なモデルへ移す方法を確認できます。

得意なこと
Sora Watermark Removerは公開情報上、既存動画の画面を整える過去のワークフロー資料に位置付けられます。ただし、そのファミリー能力だけでは現在このサイトで呼び出せることを証明できません。
おすすめのユーザー
モデルを調査している方、現在の提供状況を確かめたい方、近い用途の利用可能なモデルを選びたい方に向いています。
Kyeo AIで使う理由
正確な状況と移行先を示すため、ページは検索可能な状態を保ちます。生成、料金、アップロードの入口は閉じたままです。
現在利用できないことを明示未検証の料金やパラメータを非表示利用可能な代替モデルを案内
Sora Watermark Removerの現在の状況Sora Watermark Removerは利用可能かSora Watermark Removerの代替モデルSora Watermark Removerの機能ガイド

利用前の注意点

このページから生成を開始できず、タスク作成やクレジット消費も発生しません。
過去のインターフェース、料金、パラメータは現行契約ではないため、利用可能な仕様として掲載しません。
再開には、呼び出し、アップロード、課金、失敗時返金、全言語コンテンツの再審査が必要です。

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まだ決まっていない場合は、同タイプの候補も比較してみましょう。

Topaz Video Upscaler

Topaz Video Upscalerは、Kyeoが現在提供する動画1本の倍率処理ワークフローです。動画URLと`1x / 2x / 4x`を受け付け、デフォルトは`2x`で、プロンプトには対応しません。

Veo3.1 Quality

Veo3.1 Qualityは、KyeoがVeo 3.1 Qualityの公開資料識別子で現在提供するVeoルートです。テキストのみ、または始点・終点画像1~2枚の基本リクエストは1回225クレジット固定で、成功後にExtend、1080p、4Kを別途開始できます。Qualityはワークフロー名であり、毎回一定の納品品質を示すものではありません。

Veo3.1 Fast

Kyeo AIのVeo3.1 Fastは、テキスト、始点・終点フレーム、参照画像生成に対応し、720p/1080p/4Kと4/6/8秒を直接選択できます。 解像度別 30 / 38 / 90クレジット.

よくある質問

情報源

本ページでは、公開されているモデルファミリーの能力と、サイト内での現在の提供状況を分けて記載します。未検証の料金・パラメータ・接続状況を現行仕様として扱いません。

サイト内提供状況の確認
接続情報

最新の確認で、このモデルは引き続き呼び出し不可と判定されています。公開するのは状況、能力の背景、利用可能な代替候補のみです。