跳至主要內容
AI 影片模型
Kuaishou
Kling

Kling 3.0 Turbo

Kling 3.0 Turbo 適用於生成 3–15 秒短片:未上傳圖片時使用文字模式,上傳一張合規圖片後則使用圖片生成影片。解析度與片長會直接決定建立任務前的預授權。

工作流程
文字/單圖生成影片
輸出
720p/1080p
片長
3–15 秒
點數
54–338
30 秒快速瞭解
  • 自動分流文字與單圖工作流程
  • 720p/1080p 與 3–15 秒皆依白名單檢查
  • 圖片生成影片只接受一張 JPEG/PNG
  • 預授權會在扣點與建立任務前完成

熱門搜尋: Kling 3.0 Turbo 怎麼用 · Kling 3.0 Turbo 多少錢 · Kling 3.0 Turbo 支援多長的影片

示例

Cinematic scene

Style: Ultra-realistic cinematic influencer reel, luxury lifestyle aesthetic, 4K HDR, golden hour lighting, shallow depth of field, smooth gimbal movements, subtle lens flares, vibrant city atmosphere, fashion-commercial quality, confident feminine energy 0:00–0:03 Camera: Low-angle tracking shot following stylish heels walking down a charming European-style street. Coffee cup in one hand, phone in the other. Pedestrians naturally move aside as she walks. Action: She casually glances at the camera with a confident smirk. Audio: Trendy upbeat pop beat begins with city ambience. --- 0:03–0:06 Camera:Orbit shot circling her in slow motion. Action: A gust of wind lifts her hair perfectly. She removes her sunglasses, makes eye contact with the camera, then effortlessly slides them back on. Time seems to slow while everyone around her blurs into motion. Effect: Dramatic speed ramp and cinematic lens flare. --- 0:06–0:09 Camera: Wide cinematic shot as she confidently steps onto a busy crosswalk. Action: The traffic lights turn green, but for a brief moment the entire city freezes. Cars stop, birds hang in midair, pedestrians become motionless. Only she keeps walking with complete confidence. Effect: Epic cinematic sound hit. --- 0:09–0:12 Camera: FPV drone smoothly rises from street level to reveal the entire skyline. Action: As she puts on her sunglasses, the frozen city instantly comes back to life. Cars move, people continue walking, and sunlight reflects dramatically off the skyscrapers. Effect: Whip transition synchronized to the music beat. --- 0:12–0:15 Camera: Slow-motion close-up as she takes a sip of coffee while walking toward the camera. Action: She gives a playful wink, then walks past the lens. The camera turns to reveal everyone behind her subtly watching in admiration. Music:Beat drops on the final frame with a clean cinematic logo-style ending.

Editorial design

Cinematic scene

Create a 30-second, 1080p ultra-realistic documentary-style personal home video showing an ordinary summer day in the life of a young Korean man. The footage should feel spontaneous, intimate, imperfect, and genuinely observed rather than performed. MAIN SUBJECT The same young Korean man in his early 20s throughout the entire video. Naturally handsome, realistic skin texture, minimal styling, relaxed expression, slightly tired but peaceful eyes. He has naturally messy medium-length dark hair with a few strands falling over his forehead and very subtle stubble. He wears a loose washed-black T-shirt, relaxed olive-beige trousers, worn white sneakers, and a simple silver wristwatch. Keep his face, identity, body proportions, hairstyle, clothing, watch, and overall appearance completely consistent from beginning to end. LOCATION A quiet older residential neighborhood in Seoul during a warm summer afternoon. Narrow concrete alleys, low-rise homes, rooftop terraces, external staircases, potted plants, laundry lines, parked bicycles, utility poles, overhead wires, mature trees, concrete walls, small residential courtyards, and distant city sounds. The neighborhood should feel authentic and lived-in. No crowds, tourist attractions, advertisements, recognizable brands, or commercial activity. CAMERA / VISUAL STYLE Authentic casual personal-video footage captured with an older consumer digital camera. Handheld camera operated by a friend walking nearby. Natural camera shake, imperfect framing, occasional autofocus changes, slight exposure adjustments when moving between sunlight and shade, soft image detail, mild motion blur, subtle digital noise, slightly muted colors, imperfect white balance, and natural compression. The camera operator occasionally reacts a little late, cuts off part of the subject, or briefly loses focus. No stabilization, gimbal movement, drone shots, cinematic camera choreography, dramatic lighting, slow motion, modern commercial color grading, or polished cinematography. The footage should feel like someone simply decided to record his friend during an ordinary day. --- 00:00–00:05 — MORNING ROOFTOP He sits casually on a small rooftop beside an old plastic chair. A cold bottled drink rests beside him. He looks quietly across the neighborhood while the wind moves his hair and T-shirt. He takes a sip, notices something happening in the distance, and smiles faintly. He briefly notices the camera and gives a subtle nod before looking away. The camera takes a moment to find focus on his face. --- 00:05–00:10 — WALKING THROUGH THE ALLEY He gets up and walks downstairs into the neighborhood. He walks casually through a narrow concrete alley with his hands in his pockets. He passes parked bicycles, potted plants, laundry hanging from balconies, and old residential walls. The camera follows several steps behind him. He occasionally looks back toward the camera but never deliberately poses. His footsteps remain naturally synchronized with his movement. --- 00:10–00:14 — SMALL EVERYDAY MOMENT He notices an old basketball resting near a wall. He picks it up, casually bounces it twice, then takes a simple shot toward a nearby hoop. The shot misses. He laughs quietly, shakes his head, and leaves the ball where he found it. The camera briefly loses focus during the movement and recovers naturally. No exaggerated athletic movement. --- 00:14–00:19 — LOCAL SHOP He walks to a tiny neighborhood shop and buys a cold drink. He exchanges a few natural words with the shopkeeper but the conversation is not clearly audible. He steps outside, opens the bottle, takes a drink, and leans casually against the wall. He watches bicycles and pedestrians passing in the distance. The camera remains handheld and slightly imperfect. --- 00:19–00:23 — SUMMER RAIN A sudden summer shower begins. He looks toward the sky with mild surprise. Instead of immediately running for shelter, he smiles and slowly walks into the rain. The rain becomes heavier. His hair becomes wet and falls naturally across his forehead. He eventually starts running down the alley, laughing genuinely. He briefly spins around while running, then continues toward a covered walkway. His clothes become visibly damp. Maintain realistic rain interaction, wet fabric, wet hair, reflections, and foot contact with the ground. --- 00:23–00:27 — QUIET MOMENT He reaches the covered walkway and catches his breath. Rain falls heavily behind him. He wipes water from his forehead and looks quietly toward the street. For a moment, everything becomes still. He notices the camera again. He gives a small genuine smile, not a posed expression. --- 00:27–00:30 — WALKING AWAY The rain becomes lighter. He walks away down the wet residential lane. The camera follows from behind. Reflections shimmer across the concrete. He turns his head once, gives a tiny wave toward the camera, smiles, and continues walking. The camera remains pointed toward the empty street for a brief moment. At approximately 00:29, the recording abruptly cuts to black mid-motion. No fade-out. --- PHYSICAL REALISM Maintain believable real-world physics throughout. Hands, fingers, feet, clothing, hair, rain, bottle, basketball, and background objects must behave naturally. No extra fingers, fused hands, duplicated limbs, distorted anatomy, floating objects, teleportation, disappearing objects, or sudden transformations. The bottle remains a separate physical object and never intersects with his face. The basketball behaves naturally and remains where it lands. Parked bicycles and background objects remain stationary unless physically moved. His feet remain properly connected to the ground while walking and running. Keep the environment and subject consistent between shots. --- AUDIO Natural environmental audio only. Footsteps on concrete, distant traffic, birds, leaves moving in the wind, bicycles, faint neighborhood conversations, shop sounds, bottle opening, basketball bouncing, rain hitting concrete, water dripping from rooftops, and subtle camera-handling noise. No music. No narration. No soundtrack. No artificial sound effects. No spoken dialogue is necessary. --- FINAL FEEL The result should feel like a forgotten personal recording of an ordinary summer day. Not a commercial. Not a fashion film. Not a music video. Not a professional cinematic production. The emotional appeal should come from small human moments: sitting alone, wandering through familiar streets, missing a basketball shot, drinking something cold, getting caught in the rain, laughing, and walking home. Quiet, masculine, youthful, nostalgic, slightly melancholic, warm, spontaneous, and deeply human. Prioritize natural behavior, consistent identity, believable physics, imperfect handheld framing, authentic environmental details, and the feeling that the camera happened to be there.

Cinematic scene

Cinematic scene

Generate a fast, energetic montage set at an outdoor pool party in the style of an early 2000s TV show. The footage should feel like it was shot for a teen drama / reality-TV / lifestyle series from the early 2000s — playful, chaotic, youthful, sun-drenched, and slightly messy in a charming way. CAMERA STYLE: true early-2000s handheld DV / broadcast camcorder aesthetic. Use the kind of camera commonly used for behind-the-scenes TV, MTV-style coverage, reality shows, or teen pool-party montage footage from that era. The camera should feel physically operated by a person walking through the party: shaky handheld movement, imperfect framing, quick pans, sudden zoom-ins and zoom-outs, loose reframing, small exposure shifts, slight autofocus hunting, occasional overexposed highlights, rolling movement, and imperfect reactions to the action. No modern cinematic gimbal smoothness. No robotic motion. No polished high-end commercial feel. LOOK: early digital video image quality. Slightly soft detail, baked-in camcorder sharpness, bright blown highlights in the sun, mild video noise, slight interlacing / DV texture feel, saturated summer colors, warm skin tones, punchy pool blues, glossy sunscreen skin, and a nostalgic 2000s television vibe. The footage should feel like archived network TV pool-party coverage from around 2001–2006. SETTING: daytime outdoor pool party at a big suburban or resort-style house. Bright sun, clear sky, palm trees or lush greenery, lounge chairs, towels, coolers, plastic cups, floaties, people sitting on the edge of the pool, groups talking, music playing, people jumping in the water, dancing, laughing, flirting, splashing, and hanging around the patio. MONTAGE CONTENT: capture lots of quick, cuttable handheld shots from different angles and distances. Include: wide shots of the full pool party, medium handheld walk-bys through groups of people, close-ups of drinks clinking, girls laughing, guys hyping each other up, feet kicking water, people jumping into the pool, splashes hitting the lens, quick zooms onto funny moments, people dancing near the pool, someone adjusting sunglasses, floaties drifting, someone cannonballing into the water, friends reacting and cheering, casual flirting, towels and bags scattered around, poolside conversations, and spontaneous party moments. Make the montage feel busy and real, like a highlight sequence from an episode. SHOT LANGUAGE: lots of short handheld shots that feel easy to cut together. Mix wide establishing shots, medium coverage, close-up reaction shots, splashy inserts, and little candid moments. Include snap zooms, whip pans, quick push-ins, brief rack-focus imperfections, and operator reactions to surprising or fun moments. The operator should sometimes arrive a beat late or reframe sloppily in a way that feels authentic to the time period. TONE: fun, carefree, slightly chaotic, flirty, youthful, summery, nostalgic. It should feel like “last day of school / pool party episode / spring break montage” energy from an early 2000s TV show. IMPORTANT: keep the footage outside the whole time. No indoor scenes. No modern influencer aesthetic. No ultra-clean 4K commercial polish. This should feel authentically early-2000s TV coverage with handheld camcorder energy. No dialogue required, or only indistinct background chatter. Focus on visuals, reactions, party atmosphere, splashing water, and nostalgic early-2000s television montage energy.

Cinematic scene

Hyper-realistic cinematic action sequence, 15 seconds, 16:9. A futuristic pursuit begins above the clouds at the summit of the tallest city ever built. The interceptor dives continuously downward along the exterior of the megastructure, passing rooftop gardens, luxury sky districts, dense residential towers, elevated transit systems, giant industrial levels, glowing neon commercial zones, and immense ventilation shafts before reaching the bustling streets at ground level. The camera constantly alternates between cockpit POV, FPV pursuit, side-mounted flybys, rooftop drone shots, and dramatic IMAX-wide reveals that emphasize the city's staggering vertical scale. Final shot: the aircraft disappears into a glowing underground transit tunnel beneath the city. Style: IMAX realism, believable architecture, crystal-clear action, cinematic lighting, seamless continuous descent.

一句話瞭解

這個模型表現如何?

文字模式提供三種畫面比例;圖片模式使用一張 JPEG 或 PNG,且不會傳送文字模式的長寬比欄位。圖片、提示詞與規格會在扣點前檢查,避免以不支援的組合建立任務。

它擅長什麼
主打短片長、雙解析度,以及文字/單圖兩種明確工作流程的影片生成入口。
適合哪些使用者
適合廣告分鏡、社群短片、商品動態效果,以及從關鍵影格延伸鏡頭。
為什麼要在 Kyeo AI 使用
本站會依解析度與片長,在建立任務前採保守方式預授權,完成後再按實際消耗結算。

關鍵參數總覽

協助你快速評估此模型是否符合你的業務情境。

模型類別
AI 影片模型
執行方式
非同步任務
文字模式比例
1:1/9:16/16:9
圖片格式
JPEG/PNG

其他名稱

同一個模型在官方文件、社群討論與 API 串接層可能有不同稱呼,這裡幫你統一整理。

Kling 3.0 Turbo
Kling 3 Turbo
Kling V3 Turbo
Kling 3.0 Turbo image to video

使用者常見問題

從實際任務、輸入條件和結果要求出發,整理選擇模型時最需要確認的問題。

Kling 3.0 Turbo 怎麼用
Kling 3.0 Turbo 多少錢
Kling 3.0 Turbo 支援多長的影片
Kling 3.0 Turbo 支援哪些圖片
Kling 3.0 Turbo 720p 和 1080p 差別

選擇指南

還在猶豫該用哪個模型嗎?先查看這幾個關鍵決策點。

1
先選畫質再決定片長

1080p 的每秒成本較高,先用短片長確認鏡頭方向,再增加片長會更容易控制預算。

2
使用單圖前先安排構圖

圖片模式不再傳送文字模式的長寬比,上傳前應讓來源圖片比例接近目標構圖。

3
多份參考素材請改用其他模型

若任務需要同時參考多張圖片、影片或音訊,可比較 Seedance 2.0 Mini 或 MiniMax H3。

使用者常搜尋的比較

把常見候選放在同一任務下比較,協助你確認輸入方式、控制項和成本差異。

Kling 3.0 Turbo 與 Kling 3.0 的輸入方式有何不同?
Kling 3.0 Turbo 與 Seedance 2.0 Mini 該如何選擇?

模型比較表

還在猶豫該選哪一個嗎?這張表協助你快速看清目前模型與替代方案的核心差異。

目前站內輸入
Kling 3.0 Turbo
文字或 1 張圖片
Seedance 2.0 Mini
文字、首尾影格或多模態參考
MiniMax H3
文字、首尾影格或多模態參考

實際使用體驗

結合公開資料、目前站內邊界和典型任務,說明模型適合與不適合的情況。

Turbo 是版本名稱,不代表品質結論

速度、穩定性與畫質仍應以相同提示詞和素材的實際樣本比較。

短片預算主要由兩個欄位決定

解析度與輸出秒數共同決定預授權,先固定這兩個變數更有利於比較成本。

功能詳解

文字生成影片

使用提示詞、畫面比例、解析度與片長建立短片。

單圖生成影片

使用一張通過真實格式檢查的圖片作為視覺起點。

動態預授權

依請求的解析度與片長計算整數預授權,完成後再結算。

適合做什麼

商品鏡頭

從一張商品主圖生成輕微運鏡與環境變化。

直式短片

文字模式選擇 9:16,為行動裝置內容規劃動作節奏。

分鏡驗證

先用 3–5 秒測試構圖和動作,再決定是否延長。

提示詞技巧

寫清楚主體動作

以主體、動作、環境和鏡頭四個部分組織提示詞。

限制鏡頭變化

單圖任務應註明需要保留的外觀、標誌和構圖。

配合片長

將複雜動作拆成多個短鏡頭,不要在很短的片長內堆疊過多事件。

選擇它的理由

雙工作流程邊界清楚。
解析度與片長範圍明確。
上傳階段會檢查圖片的真實格式。
建立任務前即可計算價格。

使用前須知

不支援多圖、參考影片或參考音訊。
圖片模式不開放獨立長寬比控制。
自動檢查無法取代著作權、人物授權與內容審核。
模型名稱不保證速度或品質結果。

可調整參數

協助你快速評估此模型是否符合你的業務情境。

解析度
必填
參數類型: 下拉選單
預設:720p
720p
1080p
2 項
影片長度
必填
參數類型: 整數
預設:5 秒
3–15 秒
文字模式長寬比
必填
參數類型: 下拉選單
預設:16:9
1:1
9:16
16:9
3 項

點數消耗

54–338 點

720p 每輸出一秒收取 18 credits,1080p 每輸出一秒收取 22.5 credits;本站會在建立任務前將總額無條件進位,合法請求的預授權範圍為 54–338 點,完成後再依實際消耗結算。

省點數小技巧

批次生成圖片或影片前,建議先用同一組素材,在目前模型與同類候選模型之間進行 A/B 測試;確認效果後再批次生成,避免浪費點數。

常見問題

同類模型推薦

還沒決定該用哪個嗎?順便比較一下這幾個同類候選模型。

Kling 3.0

瞭解 Kyeo AI 的 Kling 3.0 影片:3~15 秒、單鏡頭與最多 5 個多鏡頭、首尾幀、聲音,以及 std/pro/4k 每秒費率。 適合指定起始/結束幀,或把一段 3~15 秒概念拆成最多 5 個短鏡頭。人物一致性、對嘴、文字、聲音與鏡頭銜接仍須依實際結果驗收。

AI 影片模型
每次 42~1005 點數

Seedance 2.0 Mini

Seedance 2.0 Mini 在同一個入口涵蓋文字、首尾影格和多模態參考生成。參考影片會納入建立任務前的計費公式,因此媒體長度與輸出片長都必須先完成可信檢查。

AI 影片模型
15–150 點

MiniMax H3

MiniMax H3 提供 768P 與 2K 兩種規格,並支援文字、首尾影格和圖片/影片/音訊參考。參考影片長度與第 6 張起的圖片數量會納入建立任務前的預授權。

AI 影片模型
32–406 點

資訊來源

頁面內容依據廠商資料、模型系列說明與 Kyeo AI 平台串接設定整理。

來源說明

瞭解 Kling 3.0 Turbo 的 720p/1080p、3–15 秒、文字生成影片與單圖生成影片、圖片限制、54–338 點預授權及使用邊界。 720p 每輸出一秒收取 18 credits,1080p 每輸出一秒收取 22.5 credits;本站會在建立任務前將總額無條件進位,合法請求的預授權範圍為 54–338 點,完成後再依實際消耗結算。

最後更新: 2026-08-28
Kling 3.0 Turbo 目前介面資料
串接

用於核對本站目前接入版本的輸入模式、可見設定、素材限制與可用狀態;實際選項以頁面和工作台為準。