Real Space and Hand-Drawn Planning-Line Fusion

Place a full-body [person type] near the edge of the frame, slightly to the left, within [real-world incomplete / empty / damaged environment]. Position the camera behind and slightly to the right of the person, shooting from a three-quarter rear angle. Give the subject a calm, thoughtful posture as they look into the space ahead. Describe the environment as it actually exists, drawing on conditions such as empty, unfinished, decayed, rigid, or lifeless. Set the atmosphere to [emotional tone: quiet, dry, historical, minimal, raw]. Let natural light illuminate the scene, creating realistic shadows and depth. Overlay floating hand-drawn sketch lines over and within the environment, aligning them precisely with the perspective of the real space. The lines should represent [what is missing / what once existed / what could exist in the future]. Keep the sketch lines black, clean, and hand-drawn, referencing [architectural / interior / restoration / urban planning] concept sketches. They may resemble pencil or ink planning lines, with expressive, slightly imperfect, organic strokes rather than rigid or mechanical marks. Let the hand-drawn elements occupy the foreground and midground, appearing visually closer to the person than expected. Some lines may subtly overlap the person's silhouette and real surfaces, blending imagination with reality. The final image should convey [vision / restoration / transformation / potential] coming to life.